The screening at SWOP-NYC last night went well, and I’m eager to do more like this across the country. The post-film discussion also confirmed a fear of mine, that some workers may find the film to be a piece of anti-sex work propaganda.

I can see how that read is possible, and it’s part of the reason that I chose to release the film under my real name and also make it clear in post-film discussions that I am in no way opposed to sex work, even if I’m slow to get involved in any political movement.

Because I created the film as a sort of exorcism of self-degradation. Before I wrote the script, I had assumed that the reason my trajectory as a pro-switch had gone so poorly was because something was wrong with ME. “Research” through memoirs of independent Dommes confirmed that I must have been terrible at it because I didn’t have a closet full of Prada bags. It was only after the film was completed that I realized that the problem was not me, not kinky sex, and not the work. And, despite what some people might think, I never thought the sex or the work was the problem. I was *never* ashamed of having done sex work.

The problem was, in this political and social climate, with sex work being stigmatized and under the best of circumstances inhabiting a grey area that is subject to legal whim half the time, the deck was and is stacked against workers. I have personal pride and competitive issues, that tendency so common (especially in subs) to never actually admit that something is too much for me until I, sometimes literally, break in two.

Working in a house tickled these drives something ferocious. I believe that if everything had gone well, if most clients were good people, if everyone in a house had the workers’ health and well-being in mind, and (most importantly) if everyone involved from owner to worker to client was aware that the law had workers’ backs, I would *never* have left. The work is fucking interesting, and anyone who knows me is aware of how much I value a personal arsenal of good stories.

I started making this film so that I could work through my past in a way far slower and more expensive than therapy, but also so that other people who had similar experiences wouldn’t feel alone or marginalized or defective. If my story *doesn’t* reflect other workers’ experiences, I urge anyone — and I mean anyone — with a story to find some way to put it out there. I never wanted REMEDY to be the last word, but rather to be the start of a long conversation.